News

Hollywood costume design goes sustainable

A textile artist sees natural materials as the future for costumes in television and film.
Urs Dieker working with wood, kuva Eren Öztekin
Urs Dierker is concerned about textile treatments and dyes used in clothing, which are often harmful to health and the environment. He is now researching more sustainable production methods and materials at Aalto. Photo: Eren Öztekin.

‘I’ve worked for many years as a textile artist and costume maker in theatre, television and film, which often means using toxic and unsustainable substances. These, of course, aren’t very good for the people working with them or for the environment. When I came to Aalto University, I got interested in finding alternatives,’ says Urs Dierker, who relocated to the Helsinki area last year.

Glues and solvent-based spray paints as well as plastic-based materials are part of day-to-day life on many film sets. With the industry taking symbolic steps to go green ― from the Oscars taking on vegan-based menus and the BAFTAs going carbon-neutral ― Dierker is one of the many industry professionals looking to integrate more sustainable practices into TV and film production.

His approach, however, is unique.

Raw materials from a walk in the woods

Together with Aalto University experts in chemical engineering, Dierker has looked to wood, fungi and bacteria to find chemical-free, non-toxic ways of treating materials used in costumes.

Cellulose, one of the most abundant biomaterials on Earth and easily derived from wood, shows exceptional promise.

‘Working with Professor Orlando Rojas’ research group including Noora Yau’s and Konrad Klockars’ Structural Colour Studio, I’ve used a cellulose-based, pigment-free paint. The wood reflects light to create colour without any kind of dye or chemical treatment,’ explains Dierker. ‘We’re able to create shiny, iridescent effects made purely from wood.’

Colourful costume made with sustainable, natural materials by Urs Dierker
This costume designed by Urs Dierker combines new materials and technologies developed by the Biobased Colloids and Materials (BiCMat) research group. Photo: Eren Öztekin.

Hand-in-hand with Aalto researchers, the textile artist has also found possibilities for costume design in some less-than-obvious friends from nature.

‘I’ve been experimenting with using bacteria and mycelia ― a sort of mushroom-in-growth ― to colour materials without harsh dyes. We’ve made some gorgeous, fade-resistant indigo-based blue, in just a couple days!’

Costume designer and researcher Urs Dierker in the studio
Photo: Eren Öztekin.

Movie sets double as a laboratory

On top of pushing for change in on-set practices, Dierker sees costume design as the ideal platform to test out fresh materials and designs.

‘If you think about how costumes are made, a film or TV production is a great environment to test new sustainable materials out ― to show that they are workable. You select the materials, make the costume, and soon you have answers about what works. During the performance on-set and care for the garments afterwards you know what holds up over time. Costumes can essentially give us immediate answers about how people use clothes,’ he says.

Dierker’s next step is to find a production, either in television, film or theatre, to bring these new techniques into a larger scale. His vision doesn’t stop there, though.

‘To make costume design greener, we still need to come together and address a lot of other angles to see how sustainable substances can find their way from petri dish to performance.’

  • Urs Dierker has worked on hit TV shows shot in Toronto like The Handmaid’s Tale and Star Trek: Discovery
  • His exhibition, Naturally Dramatic, on sustainable costume design was featured as part of Designs for a Cooler Planetat Helsinki Design Week 2020

Naturally Dramatic

A science-art project aimed at textiles and materials that contribute to more sustainable practices in costume making by using cellulose-based materials.

Read more about the Naturally Dramatic project
Fabric and appliques made from natural materials by Urs Dierker
  • Published:
  • Updated:
Share
URL copied!

Read more news

A portrait of Maria Sammalkorpi.
Research & Art Published:

Ascending Investigator Grant from Novo Nordisk Foundation awarded to Maria Sammalkorpi for computational biosynthetic materials research

Senior Scientist Maria Sammalkorpi has been awarded the highly competed Ascending Investigator 2022 Grant from Novo Nordisk Foundation for a total of ca 9 million DKK (1.2M€).
Two models wearing grey solar cell clothing.
Research & Art Published:

Researchers developed invisible, machine-washable solar cell technology for clothing

The discrete nature of the cells protects them – and makes the clothes more attractive, the physics and design researchers say. Promising applications include work and outdoor clothing, and curtains which react to changes in the amount of light.
Sustainability Science day banneri
Research & Art Published:

How to accelerate innovations, ensure food sequrity and make cities green? Sustainability Science Days seeks answers to the huge sustainability challenges of our time

Sustainability Science Days 2022 focuses on global system-level solutions for food systems, cities, governance and more. Sustainability Science Days is Finland's largest two-day science conference on sustainable development, organized by Aalto University and the University of Helsinki.
Image Credit: Anne Kinnunen
Research & Art Published:

‘Painting Energies’ Podcast Explores Light and Energy at the Intersection of Art and Science

A new podcast hosted by physicist Janne Halme and artist Bartaku explores the connections between light and color, plant and microbe, art and science. The Painting Energies podcast builds upon their visionary artscience workings that have been evolving at Aalto University since 2017. Painting Energies is not to be missed for any scientist, artist or student looking to find new ways of combining art and science.